Category: Glass and Ceramics sculptures

Fused bullseye glass and corten steel. 

Height without base: 1.5 meters

Height with base: 2.7 meters

The glass is stripped and shaped, the piece inspired by an artwork in South Africa honouring a young woman caught in the apartheid struggle

If you are interested in purchasing this piece, or have questions about this sculpture or any others then please email our sales consultant: tadd@cotswoldsculpturepark.co.uk
or call Tadd Hartland on 07545 648918

*We are a wholly independent family run business and work closely alongside our artists during the sales process and our buyer introductions. Our ethos is built on a mutual trust working together.

Ceramic

210cm tall

Emily’s ceramic practice transforms vessels thrown on the potter’s wheel into biomorphic sculptural forms that explore body perception, identity and sexuality. While rooted in the traditions of the
pottery craft, Emily plays and experiments with thrown forms to create
abstract body representation. Her inspiration comes from work in female empowerment, studies into prehistoric sculpture and her personal journey of body discovery.

Emily is interested in stretching the possibilities of clay as a material and the freedom and energy in altering and building with the traditionally
symmetrical forms of her craft. Working intuitively is an important part of her practice.

If you are interested in purchasing this piece, or have questions about this sculpture or any others then please email our sales consultant: tadd@cotswoldsculpturepark.co.uk
or call Tadd Hartland on 07545 648918

*We are a wholly independent family run business and work closely alongside our artists during the sales process and our buyer introductions. Our ethos is built on a mutual trust working together.

Large ceramic vase

Approx 1.4m tall

“My ceramic work develops through a series of related forms rather than individual pieces. Each series begins with a simple structural idea that I explore through repetition and variation, allowing the forms to evolve gradually as I work.

The pieces are primarily hand-built, a process that leaves subtle traces of making and allows the form to grow intuitively rather than being fixed at the outset. This slower approach gives space for small shifts in proportion, balance, and surface to emerge from piece to piece.

Alongside the development of form, I work closely with glaze. Each series tends to have its own palette, developed through testing and refinement until the surface feels integral to the form. Glaze is not applied as decoration but as part of the language of the work, responding to the geometry and structure of each piece.

The works exhibited at The Cotswold Sculpture Park come from three different series. While distinct in form and surface, they share a common approach: an exploration of repetition, variation, and the dialogue between clay, structure, and glaze.” – Andrew Flint

If you are interested in purchasing this piece, or have questions about this sculpture or any others then please email our sales consultant: tadd@cotswoldsculpturepark.co.uk
or call Tadd Hartland on 07545 648918

*We are a wholly independent family run business and work closely alongside our artists during the sales process and our buyer introductions. Our ethos is built on a mutual trust and working together

Large ceramic vase

Part two of Flint’s Rising Form series

Approx 100cm tall

“My ceramic work develops through a series of related forms rather than individual pieces. Each series begins with a simple structural idea that I explore through repetition and variation, allowing the forms to evolve gradually as I work.

The pieces are primarily hand-built, a process that leaves subtle traces of making and allows the form to grow intuitively rather than being fixed at the outset. This slower approach gives space for small shifts in proportion, balance, and surface to emerge from piece to piece.

Alongside the development of form, I work closely with glaze. Each series tends to have its own palette, developed through testing and refinement until the surface feels integral to the form. Glaze is not applied as decoration but as part of the language of the work, responding to the geometry and structure of each piece.

The works exhibited at The Cotswold Sculpture Park come from three different series. While distinct in form and surface, they share a common approach: an exploration of repetition, variation, and the dialogue between clay, structure, and glaze.” – Andrew Flint

If you are interested in purchasing this piece, or have questions about this sculpture or any others then please email our sales consultant: tadd@cotswoldsculpturepark.co.uk
or call Tadd Hartland on 07545 648918

*We are a wholly independent family run business and work closely alongside our artists during the sales process and our buyer introductions. Our ethos is built on a mutual trust and working together

Large ceramic vase

Part one of Flint’s Rising Form series

Approx 100cm tall

“My ceramic work develops through a series of related forms rather than individual pieces. Each series begins with a simple structural idea that I explore through repetition and variation, allowing the forms to evolve gradually as I work.

The pieces are primarily hand-built, a process that leaves subtle traces of making and allows the form to grow intuitively rather than being fixed at the outset. This slower approach gives space for small shifts in proportion, balance, and surface to emerge from piece to piece.

Alongside the development of form, I work closely with glaze. Each series tends to have its own palette, developed through testing and refinement until the surface feels integral to the form. Glaze is not applied as decoration but as part of the language of the work, responding to the geometry and structure of each piece.

The works exhibited at The Cotswold Sculpture Park come from three different series. While distinct in form and surface, they share a common approach: an exploration of repetition, variation, and the dialogue between clay, structure, and glaze.” – Andrew Flint

If you are interested in purchasing this piece, or have questions about this sculpture or any others then please email our sales consultant: tadd@cotswoldsculpturepark.co.uk
or call Tadd Hartland on 07545 648918

*We are a wholly independent family run business and work closely alongside our artists during the sales process and our buyer introductions. Our ethos is built on a mutual trust and working together.

Ceramic Vase

Part three of Flint’s Quiet Vessel series

60cm tall

“My ceramic work develops through a series of related forms rather than individual pieces. Each series begins with a simple structural idea that I explore through repetition and variation, allowing the forms to evolve gradually as I work.

The pieces are primarily hand-built, a process that leaves subtle traces of making and allows the form to grow intuitively rather than being fixed at the outset. This slower approach gives space for small shifts in proportion, balance, and surface to emerge from piece to piece.

Alongside the development of form, I work closely with glaze. Each series tends to have its own palette, developed through testing and refinement until the surface feels integral to the form. Glaze is not applied as decoration but as part of the language of the work, responding to the geometry and structure of each piece.

The works exhibited at The Cotswold Sculpture Park come from three different series. While distinct in form and surface, they share a common approach: an exploration of repetition, variation, and the dialogue between clay, structure, and glaze.” – Andrew Flint

If you are interested in purchasing this piece, or have questions about this sculpture or any others then please email our sales consultant: tadd@cotswoldsculpturepark.co.uk
or call Tadd Hartland on 07545 648918

*We are a wholly independent family run business and work closely alongside our artists during the sales process and our buyer introductions. Our ethos is built on a mutual trust and working together

Ceramic vase

60cm Tall

“My ceramic work develops through a series of related forms rather than individual pieces. Each series begins with a simple structural idea that I explore through repetition and variation, allowing the forms to evolve gradually as I work.

The pieces are primarily hand-built, a process that leaves subtle traces of making and allows the form to grow intuitively rather than being fixed at the outset. This slower approach gives space for small shifts in proportion, balance, and surface to emerge from piece to piece.

Alongside the development of form, I work closely with glaze. Each series tends to have its own palette, developed through testing and refinement until the surface feels integral to the form. Glaze is not applied as decoration but as part of the language of the work, responding to the geometry and structure of each piece.

The works exhibited at The Cotswold Sculpture Park come from three different series. While distinct in form and surface, they share a common approach: an exploration of repetition, variation, and the dialogue between clay, structure, and glaze.” – Andrew Flint

If you are interested in purchasing this piece, or have questions about this sculpture or any others then please email our sales consultant: tadd@cotswoldsculpturepark.co.uk
or call Tadd Hartland on 07545 648918

*We are a wholly independent family run business and work closely alongside our artists during the sales process and our buyer introductions. Our ethos is built on a mutual trust and working together