Category: Sculptor

Patrick Bull graduated from the University of Gloucestershire in 2010. He began working as a chaser, finishing bronzes at Talos Art Foundry in Hampshire, England. With nearly 10 years experience finishing sculptures Patrick has developed a good eye for detail and honed his skills in bronze patina.  Over the past couple of years he has turned his skills to creating his own bronze wildlife sculpture.

Patrick works primarily in bronze using the lost wax method to create high quality sculpture. Each piece is worked by hand to keep that personal feel. Every bronze is finished with a unique patina and sealed with a coat of wax to give them protection and a beautiful deep shine.

A big influence on Patrick’s work is nature and the great outdoors. He has always enjoyed watching wildlife, particularly birds, they all have such unique personalities. Pat aims to capture those personalities and fleeting moments in his work, evoking a sense of movement and life in his sculpture.

Hannah Scott completed an MA in Sculpture at the Royal College of Art in 2025, having previously earned a BA in Fine Art from Chelsea College of Arts in 2022. Scott was shortlisted for the COLAB Yorkshire Sculpture RCA graduate award in 2025 and received the Sculpture Prize at the Ilminster Arts Centre Open Exhibition in 2024. She has exhibited in numerous group shows across England.

Scott shifted her focus to art in 2019 after training in medicine and working as an anaesthetic consultant at UCLH.

 

As a sociable introvert, Kay is a lifetime observer and mostly ardent supporter of the human being, their motivations, moods and passions. Her earliest foray into art gave way to a long and successful career circling the corporate world. With the death of her husband, a decade ago, she ventured back to study realist figurative sculpture. She now plays with simple forms, strange partnerings, hidden fears, contradictions, secret desires and unfinished stories. Her works aim to capture the moments that reflect the power and frailty of the human condition. Kay is a keen collaborator, most recently with a noted Bristol street artist – eager to share the joy of figurative sculpture with a wider audience. Alongside her own projects, Kay loves to create unique pieces for special places in homes and gardens. Her work is available in cold cast and foundry metals.  

With her studio perched in the wilds of Dartmoor, Devon, Kay welcomes visitors by appointment, with overnight and longer stays available at the old farmhouse in her tiny and ancient hill-farming village.

Teresa is a mixed media artist, creating both sculptural and functional glass work, as well as photography based digital art and now experimenting with Cyanotype prints (inspired by her glass).

Having been a knitwear designer for many decades, the desire to create her own view of the world proved irresistible. Starting with ceramics and sculpture courses, Teresa soon discovered glass and fell in love with this amazing, alchemic medium – an alternative universe of light and shadows, yet still so very solid.

Her fused glass panels and vessels express her earlier textile background, made by using one off slumping moulds which have a fabric, flowing quality.  Teresa’s more recent work continues to be imbued with a riot of colour and light, creating intricate patterns that burst out into a kaleidoscope of reflections and textures.

In her more figurative sculptural work, she ‘paints’ a glimpse of the human form that is simultaneously mysterious and revealing, but always with a story to tell, or moments trapped in time, which engage the viewer to make their own.  Her work is often layered using many pieces or ‘pourings’ of glass to give a sense of depth and which seem to open a secret door into another, more spiritual imagined world, this is especially true in her sand cast glass sculptures.  These ideas continue into her digital art images.

Photography acts as an inspiration, a way of note taking.  Catching a moment of sunlight casting shadows, a walk by the sea with clouds reflected in puddles in the textured ridges of sand, an ancient sand covered archaeological dig in rocky pitted cliffs, a piece of colourful folkloric textile or a woodland lined with dense autumnal undergrowth – all these detailed patterns found in the everyday world around us provide ample inspiration for her creativity.

Teresa uses a variety of techniques including fusing and sand casting glass, as well as combining glass with ceramics, photography and painting.  She works from her studio in Harrow.

Favourite quotes:

„The most beautiful bodies are like transparent glass. The most powerful flames like water washing the tired feet of travellers”  Czesław Miłosz (poet)

„Looking back doesn’t do any good.  Look forward and make that as beautiful as you can”  Ruth Slenczynska (pianist)

 „There is a crack in everything, that’s how the light gets in”  Leonard Cohen (singer, song writer)

„I think colour is one of the greatest things that we have to draw on, to live with, to be inspired by.  I can’t live without it.  It is a precious gift to be used wisely, because it has the power to influence your life” Iris Apfel (Fashion Icon)

MEMBER OF: The Contemporary Glass Society (CGS), The Chelsea Art Society (CAS), Just Glass Society (council member), The Association of Polish Artists in Great Britain (APA),    Glass Art Society (GAS), Herts Visual Arts (HVA)

Teresa exhibits widely with the societies of which she is a member, as well as having had her work selected by the Society of Women Artists (SWA), Royal Society of Marine Artists (RMSA) and Royal Society of Miniature Painters, Sculptors and Gravers (RMS) and shown at the Mall Galleries.  Her work is in private collections in Japan, Poland, France and the US.

Clare Nicholls is a self-taught artist who has grown Rustic
Vision Sculpture since 2020. Specializing in outdoor
sculptures crafted with Paltiya Premium and recycled
materials, her work captures a unique “Dark Circus” aesthetic
that blends the macabre with the marvelous. She sculpts
theatrical entities and checkered silhouettes that explore the
vibrant chaos of the jester. Her work transforms the classic
Harlequin into fragmented archetypes and prismatic figures,
capturing a sense of beautiful, frantic energy.

Clare finishes her mystical forms with Fine acrylics, ensuring
every piece is sealed with a protective varnish for longevity.
These durable, weather-resistant artifacts invite viewers into a
sustainable world where the strange is celebrated and the
magical is made solid.

Martin John Fowler is an artist working in the Yorkshire Lincolnshire Borders. Whilst traveling and recording the wild coastal areas from the Scottish isles to the hidden coves of Cornwall. He was born and brought up in the Mining towns of South Yorkshire. studied drawing and painting at Doncaster College of Art. Then studied Painting and Printmaking at Sheffield College of Art completing his BA(hons) in Fine Art. Martin has exhibited work nationally and internationally in solo, mixed exhibitions and competitions.  His Paintings, drawings and prints are held in many private collections.

The Prevailing Sense of Change 

‘Drawing And Painting working on my ongoing project intensified by the prevailing sense of change from Coastal working ports to the Rural/Urban Landscapes of Britain, from childhood memories to the present which record and reflect the constant change and adaptions of an entire ways of life’.’

Caroline came to us highly recommended by a major collector for her sumptuous paintings of nature – we were totally won over, as you will be!

Caroline gained a First Class BA Hons Degree from Camberwell College of Arts in 1994 and went on to gain a MA with Distinction from Cardiff University in 1996.  Here is her artist statement:

“My compositions are rooted in a reverence for places and nature, during the ever changing seasons. Florals in particular allow me to engage with colour, light and structure in a wonderful way. Ephemeral in their nature, they give me the unique opportunity to play with the boundaries of time and movement.

We love the sculptural, 3D qualities in Caroline‘s 1 Metre square florals and the fabulous, generous application of paint. She has created a most distinctive, contemporary style between abstract and realism, all with a beautiful sense of colour and form. Caroline‘s paintings capture a beautiful energy which is both emotional and uplifting; some are the essence of gentleness, some strong and powerful in their boldness and composition. Each painting is genuinely unique! A stunning treasure to contemplate and enjoy.

In addition to painting for galleries, since 2016 Caroline is very proud to have worked in Partnership with English Heritage on an exclusive range of artwork for their gift shops and sites. Her work has been exhibited nationally and is in private collections worldwide.

Miranda creates atmospheric paintings inspired by the feeling of being in expansive landscapes. Her work explores the idea of the sublime – the simultaneous experience of beauty, awe, and underlying uncertainty present in the natural world. Her work captures the emotional energy of vast landscapes, dramatic weather, deep waters, and fleeting light – drawing viewers into spaces that feel both familiar and otherworldly. 

Her physical process examines the delicate balance between shape, colour, mark and value. Through trial, error, and repeated experimentation, she works with her materials. Pouring, layering and scratching into paint. Embracing the accidental marks and gestures that emerge, noticing the way pressure, mood and process affects them. Each painting has its own path, evolving until the balance of light, colour, and form feels harmonious. 

This deep engagement with nature is not just aesthetic, but also reflective of the realities of our time. In the context of climate change and environmental instability, her focus on nature’s beauty and power becomes a call to awareness. While her work often leans into the calming, meditative qualities of the natural world, it is underpinned by a recognition of its fragility, a perspective that informs her commitment to sustainable practices. She uses recycled, natural, and responsibly sourced materials wherever possible, ensuring her creative methods align with the values embedded in her work.

 

Liam Ball, born Coventry 1964

My work is a mixture of the real and imaginary, with a view to creating sympathy for the idea or subject. A desire to make the work aesthetically pleasing goes some way towards achieving this. I like the idea of telling stories with sculpture, sometimes just a snapshot, a moment within the story and sometimes a whole drama. Found and recycled objects, including reclaimed hardwoods, driftwood, and stone in combination with copper, pewter, brass, paints and dyes are materials I commonly use. As the work has developed new materials such as acrylic and movable parts have been used in some of the work. The use of such parts and materials invites the viewer to interact with the sculpture; perhaps to open a door, spin a propeller or lift up a lid to see what is inside. I am interested in exploring relationships between ideas that have been around for thousands of years and contemporary thinking, which often only appear different due to the use of available technology. The different properties that the materials I use possess means relationships both contrary and harmonious can be created to add further dimensions to the work.